Mix 38 – Harm

As I progress to becoming a true DJ, I’ve coined a few terms to describe some of the concepts that I have encountered. In Mix 20, I reference Meat to describe tracks that are little more than a beat that can be used to transition between featured tracks in a mix. For Mix 38, I showcase another term, Harm. I use the term Harm when talking about a concern that, when mixing a track, the mix may make it worse off than if I were to never tweak it to integrate it into a mix.

As a DJ, it is a thrill to incorporate a great new track that you’ve heard into a mix that your are creating. But, my expectation is that, by blending a series of tracks together, the sum is greater than the part. I feel as if I have done Harm to a track if, my mix is good, but there is a particular track that sounds worse to make the mix sound better overall.

In creating this mix, I was excited to incorporate another Calvin Harris track into my mixes. Both he and Kaskade are ‘Easy Money’ to me. Their tracks are consistently amazing. If I add one of their tracks to my mix, it will more often than not sound amazing. The only concern is, in creating the mix, do I do justice to their work.

With Mix 38, I faced that challenge for Calvin Harris’ track Sweet Nothing. With the 3 tracks that I ended up mixing, it was a recurring challenge that I may do Harm to the tracks. So, with this mix, I ended up just doing drop cuts for the transitions. Not much DJing work, I just immediately starting the next track with a minimum of fuss. You’ll hear a scratch on the 2nd transition when I bump the tracks back in time. A DJ error, but I thought it sounded cool, so I kept it.

Enjoy!

P.S. – In the process of putting together this mix, I learned that the term Harm is used to describe people who do self-harm to themselves. I’ve made a small donation to an organization that is trying to address the issue.

Mix 39 – Mechanism

At this point, I’m sure you are wondering, ‘where is mix 38?’. I’ve got this thing going on where I’ll have multiple ideas for mixes that I am playing with. And, I’ll number them sequentially. This is the first time that the latter mix got completed before the former. Don’t worry, 38 is still in the making.

This mix sounds pretty simple. It is pretty simple. 3 tracks. A little cue point work and minor use of the volume fader. Behind the scenes, I am play with how I am using cue points. I saw a tutorial online where the presented color coded them based on how many bars the transition should take. It was a pretty tedious process to do today. But, when I went to mix the tracks, it all went very quickly.

I am naming this mix mechanisms after a corporate training that I took. It encouraged us to build mechanisms with inputs, outputs, and processes to consistently, succeffully resolve recurring problems. I am working a lot on my process of mixing. I am basing it on Phil Morse’s book (from Digital DJ Tips), Rock The Dancefloor. But as such, I am building a mechanism for gathering music, training and producing mixes. The cue point exercise was one part of it.

Enjoy!